If you're not rich, Paris may be unaffordable these days – unless you're lucky enough to have a friend to stay with. We were just that lucky.
Many years ago a young Congolese-French girl named Annick worked for my brother and sister-in-law as an au pair. She took care of two young boys while the parents were working. I wrote to tell her we'd like to have dinner with her when we visited Paris this Summer. She wrote back, insisting we stay in her large house in the suburb of Bonneuil sur Marne, southeast of the city. We're accustomed to using public transport, but when we asked which metro train to take from Orly Airport she insisted on picking us up, as it was not far from her home. This kind of warm hospitality was unnecessary, but welcome indeed.
It was a three-story home, counting the large and very nice attic bedroom where we stayed, set in a modest neighborhood of narrow streets not far from the Créteil metro line.
Annick and her three young daughters made us feel completely welcome and included us in a family backyard barbecue at her sister's fine home nearby. We were immediately given a special entree into French life that we could only have hoped for, and was far beyond anything we might have expected.
We shared peaceful mornings of baguettes and jam, coffee, and juice with Annick before catching the metro to downtown Paris. Since her days as a bright young au pair, Annick finished her Doctor of Laws at the Sorbonne and now works in financial management. We spent our time together learning the ways of daily life in a Paris suburb, and the challenges faced these days by a young black French woman with daughters. Although she and her family are hard-working and successful, there are still issues to deal with.
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But Paris was much on our minds. And even with a fine place to stay, Paris is still expensive. On Wednesday morning we bought a pack of ten Metro tickets and caught the next one to The City, emerging near the Louvre. Paris is as beautiful and vibrant as I remembered, a true world-class city, a center of the arts, literature, and the culinary world.
On our first morning in the city we indulged in coffee and a nibble at a sidewalk cafe on a busy corner and lingered watching the ebb and flow of daily life. We had plans to be at the Louvre early, but cafe society is captivating and we weren't up to standing in long lines so we lingered over coffee. We decided to follow the advice of an airline ticket lady in Miami who told us to go on Wednesday evening, after the tour groups were gone. It was very good advice.
We would spend our day wandering the streets and the Tuilleries Gardens instead, admiring sculpture over lunch like so many Parisians on lunch break. These famous lanes of horse chestnut trees provide one of the best people-watching locations on earth. And don't people make one of the best zoo exhibits anyway? Lingering in the shade at the Tuilleries is really the essence of summer in Paris.
After lunch we crossed the Seine to the Musee D'Orsay, the old converted train station, and reveled in one of the world's great art lessons as we followed the works of most of the world's best artists. Neither of us saw as much as we wanted but there would be no time to return, on this trip. They don't allow photos in the museum, so none are shown here, but after closing we enjoyed some of the street music that makes Paris a special place.
In the late afternoon we recrossed the bridge toward the Louvre and, for the third time, ran into a Roma (also called Gypsies) working their latest scam. They pick up a ring from the pavement and ask if you dropped it. They show you where it says "24 karat gold" inside and insist it must be yours. We never let it get farther than that because it was an obvious scam, but an outraged French couple said when you look at it closely they'll pick your pocket. It might have been fun to go along with because I always keep lots of wadded papers and maps in my pockets and carry no wallet. I've read about one guy who carries a phony wallet with nasty notes inside. When a thief grabs it he reads, "You are the stupidest thief in the world!" I haven't done that yet, but I got a picture of the third scumball and that's him. He was not happy.
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How does anyone describe Paris in ways that have not been written before, in more memorable words? I wouldn't even know where to start. Years of movie-going have imprinted much of this city on my memory, since it's a common theme. And the dusty caverns of my past echo with "Raspberries, strawberries" by the Kingston Trio.
(recent version: http://www.youtube.com/watch?v=bKAxV3rNBpo)
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This past Spring, Carolyn and I each read The Greater Journey by David McCullough. This large epic covers an important period of 'Americans in Paris' – but not the Hemingway-Fitzgerald-Stein period we normally think of. He writes instead of 1800 to 1900, a formative period for many young Americans who came to the world's center of learning to study medicine, law, art, and literature. Their names were such as Oliver Wendell Holmes, John Singer Sargent, James Fenimore Cooper (the most famous American author at the time), Augustus Saint Gaudens, and a young struggling artist named Samuel F. B. Morse. Morse would become famous and wealthy after inventing the telegraph, but that was a long time in his future and he spent his early Paris years struggling like other artists and students living in the Latin Quarter (so named because the classes there were taught in Latin).
These Americans were witness to many of the events that shaped modern Paris, including Hausmann's building of the "Grands Boulevards" that we all consider the norm for this city. (http://en.wikipedia.org/wiki/Haussmann's_renovation_of_Paris)
The Eiffel Tower, the tallest structure in the world then, was built for the 1889 Exposition. It provoked much controversy, partly due to its cost – over a million dollars! But it paid for itself in entry fees by the end of the fair, and saw its 200 millionth visitor in 2002. Overall, the 19th century was a formative time and we are lucky to experience the results today.
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The airline lady was right about going to the Louvre in the evening. It was far less crowded.
We entered the cavernous entry/shopping area leading to the ticket area, but stood no chance of 'seeing everything' in the world's largest museum. So we went straight to the most famous painting in the place, the Mona Lisa (called "La Joconde" in French).
People jostled to get their photo taken with the smiling lady and I recalled just how small the painting is. On the walls around it and throughout the hallways are other important art works, with students studying each one in detail.
As 'last call' ran out over the PA system I found a small seat by a window overlooking the Louvre's massive courtyard. Two stories down, people wandered along the pathways and I saw a small shape scurry from one hedgerow to another. It was one of Paris' famous rats. It was followed by a second, then a third, a fourth, a fifth. By this time I had my camera out and bagged a blurry view of the sixth one.
But it was time to leave. We were exhausted from a long day of walking, and it was time to meander back through the Louvre's extensive underground, rise to the surface under a warm Parisian twilight where people were relaxing on the grass...
...and search for dinner. — PRW